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nrchtct committed Jun 6, 2024
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<title>Restaging Fashion</title>
<title>Restaging Fashion - Digital contextualization of vestimentary sources</title>
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4 changes: 2 additions & 2 deletions src/routes/texts/0001_approach.md
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---
title: About the project
title:  
media : []
---

The interdisciplinary research and digitization project RESTAGING FASHION elaborates new perspectives on historical dress. This research unites approaches and desiderata from three disciplines and respective research areas: Art history (dress research), information science (knowledge organization) and information visualization. Dedicated to the cultural history of clothing, its visual appearance, and its symbolic character, the project juxtaposes the triad of image-text-dress as an approach to dress research that integrates multiple methods. The project brings together items from the collection Lipperheidesche Kostümbibliothek - Sammlung Modebild of the Berlin Art Library with historic garments from the Textiles, Clothing and Jewellery Collection of the Germanisches Nationalmuseum Nuremberg.
RESTAGING FASHION was an interdisciplinary research and digitization project at the [UCLAB](https://uclab.fh-potsdam.de) of University of Applied Sciences Potsdam (2020-2023) elaborating new perspectives on historical dress. This research unites approaches and desiderata from three disciplines and respective research areas: Art history (dress research), information science (knowledge organization), and interface design (data visualization). Dedicated to the cultural history of clothing, its visual appearance, and its symbolic character, the project juxtaposes the triad of image-text-dress as an approach to dress research that integrates multiple methods. This research brought together together items from the collection Lipperheidesche Kostümbibliothek - Sammlung Modebild of the Berlin Art Library with historic garments from the Textiles, Clothing and Jewellery Collection of the Germanisches Nationalmuseum Nuremberg.
7 changes: 6 additions & 1 deletion src/routes/texts/0001_methodology.md
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---
title: Methodology
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Dress research is still an evolving discipline. While dress, reflecting a wide array of aspects in relation to identity and cultural background, has already become an object of collecting since the middle of the 19th century, dress studies have only gradually come to be viewed as a relevant subject of research. Dress research is concerned with the academic study of fashion, style, dress, and textile, its history and symbolism. Its methods are drawing from the fields of visual studies, linguistics, and cultural studies, while a detailed empirical analysis and interpretation of the material is done by textile researchers and conservators. Fashion in images (painting, printmaking, photography, sculpture) and in written works is typically considered through the lens of art history, cultural studies, design studies, economics, history, literature, semiotics, and sociology, whereas the research on textiles and clothing tends to favor technology-based methods of investigation. Because fashion is addressed by different conceptual frameworks and disciplinary approaches, some scholars refer to it as a “hybrid subject” or a “mixed method approach”.
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9 changes: 2 additions & 7 deletions src/routes/texts/0002_collection.md
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---
title: The collections
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cap: "Paintings in the Depot",
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9 changes: 2 additions & 7 deletions src/routes/texts/0003_visualisation.md
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Data visualization projects are often initiated on the basis of an existing dataset, which may need to be prepared and analyzed before being visualized. In contrast, this research project provided for a parallel and interconnected process of data modeling and creation, closely coupled with the design and prototyping of visualization. Since the beginning of the project, several prototypes and experiments, in the form of [Observable Notebooks](https://observablehq.com/collection/@sinanatra/refa), have been made, in order to test the appropriate representation of the information.
Finally, the focus centered on a visual juxtaposition of essays and graph visualizations for better representing the art historical discourse and giving access points to navigating the collection. A dedicated [platform](https://refareader.fh-potsdam.de/) was designed, along with an open source [prototype](https://github.com/sinanatra/refa-reader-template) for reuse with other digitized collections.
Data visualization projects are often initiated on the basis of an existing dataset, which may need to be prepared and analyzed before being visualized. In contrast, this research project provided for a parallel and interconnected process of data modeling and creation, closely coupled with the design and prototyping of visualizations. Since the beginning of the project, several prototypes and experiments, in the form of [Observable Notebooks](https://observablehq.com/collection/@sinanatra/refa), have been made, in order to test the appropriate representation of the information and insights produced during the research.
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---
title: ReFa Reader
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The visualization research centered on the visual juxtaposition and interactive coupling of essays and graph visualizations. The intention was to represent the art historical discourse in close connection with access points into the collection. The concept of the ReFa reader allows for the linear perusal of the essays and the lateral exploration of associated artifacts and entities. The [ReFa Reader](https://refareader.fh-potsdam.de/) was designed and deployed as an interactive web application that builds on standards such as Markdown for the formatting and linking of the essays and the Omeka S API for the inclusion of items and entities part of a digitized and cataloged collection. The ReFa Reader is [made available](https://github.com/sinanatra/refa-reader-template) under an open source license for reuse with other digitized collections.
8 changes: 4 additions & 4 deletions src/routes/texts/0005_digitization.md
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---
title: Publications
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source: "https://uclab.fh-potsdam.de/refa-catalog/files/asset/1287fb1d2b1a13d0d17040c0dd7e4af3b7d4fb03.png",
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“THE RESEARCH IS HAPPENING IN THE TEXT FIELDS” – ARE LINKED OPEN DATA AND ART HISTORY A GOOD MATCH?, Giacomo Nanni, Linda Freyberg, Sabine de Günther, Marian Dörk, ADHO Digital Humanities Conference 2023 (DH2023), 2023

DIGITALE KONTEXTUALISIERUNG UND VISUALISIERUNG DER QUELLEN-TRIAS BILD-TEXTREALIA ZU HISTORISCHER KLEIDUNG, IHRER AUSFORMUNG, ZEICHENHAFTIGKEIT UND DREIDIMENSIONALITÄT, Sabine de Günther, Linda Freyberg — in: Konferenzband zur DHd2022: Kulturen des digitalen Gedächtnisses, 2022

IKONIZITÄT DER INFORMATION – DIE ERKENNTNISFUNKTION STRUKTURELLER UND GESTALTETER BILDLICHKEIT IN DER DIGITALEN WISSENSORGANISATION, Linda Freyberg — in: Berliner Handreichungen zur Bibliotheks- und Informationswissenschaft; Band 484, Dissertation, 2021

BILDKOSMOS DER MODEN: DIE GEMÄLDESAMMLUNG VON FRANZ UND FRIEDA VON LIPPERHEIDE, Sabine de Günther — Dissertation 2020

KLEIDERWIRKLICHKEIT UND BILDFINDUNGEN IM 19. JAHRHUNDERT. IHRE NACHNUTZUNG UND TRANSFORMATION IM MUSEALEN KONTEXT, Sabine de Günther, Thekla Weissengruber — Hrsg. netzwerk mode textil, in: Jahrbuch nmt 2020, S. 7-17, 2021

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title: Team
media : []
---

SABINE DE GÜNTHER
Art & fashion history, 3D-scanning, digitization, project management

GIACOMO NANNI
Interface design, visualization, data modeling, 3D-scanning

ILIAS KYRIAZIS
Data curation, knowledge representation

LINDA FREYBERG
Data modeling, information science, 3D-scanning

MARIAN DÖRK
Research supervision, co-director of UCLAB, project management
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